Caitlin R. Kiernan’s The Drowning Girl probably couldn’t have been written without its multifaceted consideration of gender roles and its extraordinary management of an unreliable narrator who doesn’t even trust herself. For India Morgan Phelps (aka Imp), the act of telling the story parallels the act of choosing a path or an identity as she makes her way through a maze of false memories and blurred realities. Using myth, art, and mental illness, this beautifully written novel explores the boundaries between reality and fantasy, sanity and insanity, and art and dream. It’s complex in its plot, metaphor, and style as well as in its thinking about one’s role as a woman and a daughter. In its characters, lesbian, straight, and transgender, old and young, this novel recognizes the complexity of human beings as well.

In Ancient, Ancient, Kiini Ibura Salaam’s startling stories combine science fiction, fantasy, and mythology in a sensuous exploration of what it means to live while struggling to define self and other. Salaam’s language is poetic and sensuous — a unique and original voice. The stories are ambitious and challenging, demonstrating excellent range in both storytelling style and imagery, from the mundane to the fully fantastical. Salaam is particularly interested in agency in oppressive social realities and explores how oppression works on our gendered bodies.