The Otherwise Award had a hiatus a few years ago, then restarted last year. So we didn’t convene juries to celebrate works published in 2022 and 2023.
We don’t currently plan to give out Otherwise Awards for those years, but we would still like to spotlight gender-expanding genre fiction you may appreciate, and to encourage and celebrate people who created noteworthy work.
So, to help with this, we’ve invited some friends of Otherwise to recommend genre work they loved from those years. We’ll be sharing those recommendations in a series of blog posts over the next few months. Here’s the first batch!
2022: Lesser Known Monsters of the 21st Century by Kim Fu
Each of the twelve tales in Fu’s collection offers a familiar but twisted view into our contemporary world. These stories are filled with delightfully unnerving predictions of a future that is so close it is threatening to swallow our own. But at the heart of this collection are examinations of intimate moments, as disturbing as they are tender: a group of girls discovering wings on their friend’s ankles; a man awaiting his wife’s resurrection after murdering her; a mother and daughter experiencing the global disappearance of flavor. Fu captures the horror, precariousness, and euphoria of moving through these speculative worlds as women and girls with a deftness and care unlike any other. (Recommendation by P.C. Verrone)
2023: “Who the Final Girl Becomes” by Dominique Dickey
I love a story that turns a horror trope on its head, but this is much more than that. After surviving a textbook horror slasher, the protagonist of Dickey’s story begins to realize that perhaps the label of Final “Girl” doesn’t fit. What unfolds is a story deeply familiar to queer and trans people of coming to one’s own and navigating the world as the person you were always meant to be (even if there might be a killer out there waiting for you to let your guard down). Dickey’s story subtly questions the gendered dimensions of the slasher horror genre, and creates space for a new kind of survivor: one whose queerness is unapologetic, who gets the girl in the end, and who definitely survives the sequel. (Recommendation by P.C. Verrone)
2023: “Construction Sacrifice” by Bogi Takács is a deeply moving trans love story set in a world where magic and technology co-exist. The story is told through the alternating viewpoints of two characters. One is a mage and archeologist who recently moved to the city of Fejértorony to assist in locating antiquities. The other is the city itself – that is, the human volunteer who has become the city and tends to all the complex needs of the city’s infrastructure. The interaction between the two characters is subtle and fascinating as both struggle to be seen and accepted for who they are. This story is particularly appropriate for our current times, as the characters also confront their society’s discrimination against immigrants and against specific ethnic groups. The ending is both surprising and positive. (Recommendation by Pat Murphy)
2022: Manhunt by Gretchen Felker-Martin
A gendered apocalypse with explosive action and pacing, but one that—for once—digs deep into the genderedness and uses it to talk vividly and graphically about the cults of gendered monstrosity, not least the rape-obsessed, veiny, self-caging, wolfpack that contemporary masculinity allegedly prizes so much, and which here is skewered and snipped down to its essentials. Even more so, this is perhaps modern SFF’s clearest-eyed depiction of the TERF, and of tervish fascism taken to its logical apocalyptic endpoint. A beautifully messy, violent, lucid depiction of the psychic wasteland that is modern culture’s public gender politics. (Recommendation by by Vajra Chandrasekera)
2023: OKPsyche by Anya Johanna DeNiro
A story about gender, transition, and desire in parallel and somehow never conflicting registers of deeply felt emotional and social realism and brilliantly understated surrealism, all in a so-near-you-can-feel-it-on-your-skin future. Selfhood is mutable, contradictory, nonlinear, sometimes unreliable, utterly raw, and deeply awkward to inhabit, but you still have to wake up in the mornings and go about your day while the world collapses slowly around you. Death and distance are strangely permeable and fulfillment is a trap that you keep under your bed, never assembled. An absolutely brilliant novel and one that should have been celebrated far more widely than it was. (Recommendation by by Vajra Chandrasekera)
More recommendations to come!