Important Things to Know about Cobblestones

Warsaw has some lovely cobblestone streets. The word “cobblestone” comes from the very old English word “cob”, which meant (among other things) “big rounded lump.” Someone added the prefix “le” to “cob”, transforming the meaning from “big rounded lump” to “smallish rounded lump” and then added “stone.”

That’s all very interesting, but that’s not the most important thing about cobblestones. The most important thing is this:  cobblestone streets are much less charming when you are dragging your wheeled suitcase over these rounded lumps while wrestling with an umbrella.

We learned this when we took a night flight from San Francisco to Warsaw and landed in the rain.  We took a taxi to our hotel, which was on one of those lovely cobblestone streets. And so we learned that cobblestones in the rain are annoying.

This is the sort of information a writer can really use. Next time I write a scene in some fantasy environment — like a dreadfully picturesque village with ponies and peasants and that sort of thing — I will have a deep understanding of those cobblestones. If I have a character running down a cobblestone street I will be very careful lest she or he turn an ankle.

So we dragged our suitcases over the cobblestones until we found our guesthouse. This process involved climbing up 131 stone steps to the keeper of the keys at the New World Hostel at #27 Nowy Swiat. Then climbing down 131 stone steps and trudging across the cobblestones while dragging the suitcases and then climbing 60 more stone steps, lugging the suitcases up each one.   But who’s counting?

At last we reached our guesthouse and the cobblestones regained their charm and even the steps seemed rather quaint. Until the next morning, when it was time to repeat the process in reverse.

What next?  Make your choice: 

Option one: During the night, I considered the problem of the suitcases and the stairs at length and arrived at a solution. Using our umbrellas, I constructed a parachute of sorts, lashed the suitcases to this contraption, and hurled them out the window. They floated to a safe landing. We hurried down the stairs, grabbed our suitcases, and caught a cab to the Central Train Station.

Option two: In the morning, rejuvenated by a good sleep, we lugged our suitcases down the stairs and caught a cab to the Central Train Station.

Poland — A Trip Report by Pat Murphy

This is what happens when you send a couple of fiction writers to Eastern Europe to collect a prestigious award. You get a trip report several months late* and parts of it are entirely fictitious.

You could consider this as a good thing or as a bad thing. That’s your choice. As always, the Tiptree Award encourages you, as a reader to think deeply, to question the narrative, to imagine the possibilities, and (of course) make your own choices. Therefore, at various points in this trip report, you will have the opportunity to decide what really happened.  Can you find the true story?

Stop. Consider that question for a moment. The true story?  Oh, come now! You’ve read my fiction. You know that truth is not always easily defined.

I will begin with the facts: In 2011, the Science Fiction Research Association (SFRA) honored the Motherboard of the James Tiptree, Jr. Literary Award with the 2011 Thomas D. Clareson Award for Distinguished Service. The Clareson Award was presented in a ceremony in Lublin, Poland, on July 9. The Tiptree Award sent Motherboard members Karen Joy Fowler and me to Poland to accept the award.

Of course, the facts don’t begin to tell the story — true or false.  For that, you need a narrative — and a bit of fiction.

Begin here with a very important discussion of cobblestones.

The bottom of Pat's purse
The bottom of Pat’s purse

*Of course “late” is a relative term. Personally, I say that a trip is not over until you put away the map — and just yesterday I found a dog-eared map of Warsaw at the bottom of my purse. So by my reckoning, the trip just ended.

Andrea Hairston Accepts 2011 Tiptree Award

Andrea Hairston accepted her 2011 award for her novel Redwood and Wildfire at WisCon 36 in May 2012. She was also WisCon’s co-Guest of Honor with Tiptree Award motherboard chair Debbie Notkin.

Andrea Hairston Tiptree Award Winner 2011
Andrea Hairston Tiptree Award Winner 2011

Andrea’s art award is a double doll designed and created by Madeleine Robins. The fabric was designed by Nalo Hopkinson, who also provided design assistance. This doll represents the character Redwood until you flip up the skirts and turn the doll the other way up, at which point it becomes Wildfire.

Madeleine Robins Tiptree Artwork Award Doll
Madeleine Robins Tiptree Artwork Award Doll

Hairston also received $1000 in cash, the traditional chocolate (this year’s was handmade by Alan Bostick), a plaque, a Tiptree t-shirt designed by Freddie Baer, and a Space Babe pin. The impromptu chorus known as “the Tips” serenaded her with a song based on Woody Guthrie’s “This Land Is Your Land,” accompanied by David Emerson on electric piano. For the duration of the convention, she got to wear the Tiptree tiara, designed by Elise Matthesen.

2012 Otherwise Award Jury

Now that the 2011 Tiptree Award has been announced, the 2012 jury is starting work. We are delighted to welcome Joan Gordon as a returning Tiptree Award chair. Joan will be working with the stellar jury team of Andrea Hairston, Lesley Hall, Karen Lord, and Gary Wolfe. Something exciting will come of this.

Dubravka Ugresic accepts Tiptree Award

Dubravka Ugresic with Julie Phillips and original Tiptree award artwork by Johnna Y. Klukas
Dubravka Ugresic with Julie Phillips and original Tiptree award artwork by Johnna Y. Klukas

Dubravka Ugresic accepts Tiptree Award artwork and certificate. Because Ms. Ugresic lives in Amsterdam and couldn’t come to WisCon, James Tiptree’s biographer Julie Phillips got together with her to give her the original artwork by Johnna Y. Klukas. Here’s a picture of Julie Phillips, Dubravka Ugresic, and the artwork.